Words by Gabriel Heatwave—
When we kicked off this column last January, we predicted that the next 12 months would bring “ever-increasing interest in dancehall music and culture” and I’m pleased to announce that this is exactly what’s been going on.
The big news as 2012 gets underway is that suddenly EVERYONE in the UK is making bashment. The bug has infected grime legends, jungle DJs, rappers and even pop stars.
Let’s kick things off this month with Strategy from Manchester’s Broke ‘n’ English hip hop crew, self-described as “Jamaican/English with a dash of Irish.” On his new single “Marka,” Strats fully unleashes his Jamaican side, chatting double time patois with a heavy Manchester accent over a minimal, menacing march produced by Dub Phizix and Skeptical. The amazing video makes the whole movement even more moody and menacing:
Click Part 2 above or below, or here to read on.
Having spent the last year trying to claim Wiley as a ragga artist and booking him to headline a dancehall stageshow, it’s extremely gratifying that he’s just produced and vocaled his own bashment riddim. Last month Wiley leaked a new tune,”Dem Na Kill Pon Sunday,” where he declared, “we’re having a bashment party” and then immediately revoiced the instrumental as a Tenor Saw-inspired clash tune.
We’re calling it the “Ninja” riddim: It’s already been voiced by Maxwell D, Riko Dan, Big Man Zest and Maxwell D again. Who’s next on the riddim?!
Durrty Goodz is another grime legend who has been making dancehall recently; we featured his versions of the “Sleng Teng” and “Golden Hen” riddims back in November. This month he’s treated us to his take on two more classic riddims: “Real Rock” and “Drum Song” aka “Hot This Year.” They’re not on YouTube so the only place you can hear them is on our 100% UK bashment podcast:
100% UK Bashment on Rinse FM 08/01/12 by The Heatwave on Mixcloud
“London’s Burning” on the original Studio One “Real Rock” riddim sees Goodz singjaying conscious lyrics in a tremulous, almost deliberately offkey melodic style that reminded one Rinse FM listener of “Sizzla levels.” On “Question,” it’s all about that 90s ragga pattern and flow with Goodz channelling early Capleton, Shabba and Buju over the instrumental made famous by Dirtsman. I don’t need to describe “Hide N Seek” from Durrty Goodz, alongside Lady Chann, in such detail ’cause you can listen to it yourself:
HIDE N SEEK CHANN. GOODZ by suncyclerecords
Another big combination featuring dancehall artists alongside UK grime/rap stars is the remix of Lea-Anna’s “Murder” on the “Champagne Campaign” riddim from Robbo Ranx that we wrote about in October 2011. Lea-Anna teams up with two of the hottest female MCs in England, Lioness and Lady Leshurr, as well as Jamaican dancehall queen Cecile.
Now for some perhaps even more surprising converts to the sounds of dancehall reggae; though obviously, being people who grew up in urban England in a rave scene steeped in Jamaican influence, it’s actually no surprise at all!
Firstly, legendary drum’n’bass DJ/producer Die turns his hand to dub reggae, featuring vocals from jungle MC Fats and upcoming Rasta grime artist Buggsy. With a video shot in St Pauls, home to Bristol’s Jamaican community and annual Caribbean carnival, and released on Shy FX’s Digital Soundboy label, “Peace & Dub” brings together multiple strands of the UK/JA rave/reggae axis.
Secondly, grime producer-turned-MC (and P Diddy collaborator) Skepta throws down a patois-laden hook over a dancehall beat on his new tune, “You Know Me.” Apparently, after playing this track on his show recently, one radio DJ faux-innocently asked, “isn’t Skepta Nigerian?”And it’s true, he doesn’t come from a Caribbean background, so why is he chatting in patois? Because he’s from London and he grew up with jungle, drum’n’bass, garage and grime. And he’s an MC who’s grown out of that lineage where you draw on dancehall influences and people adopt and adapt Jamaican slang without caring whether your family comes from Jamaica, Turkey, west Africa or the east end of London.
I think it’s brilliant that people over here are currently showing an interest in dancehall and Jamaica. It’s what we campaign for at The Heatwave: recognition of the culture’s importance and influence on UK music, and an acknowledgement of contemporary dancehall’s significant position as a powerful musical movement around the world. But I find it problematic how the industry moves in cycles, disregarding the genre one day and worshiping it the next. Or exploiting Jamaica’s historical cultural capital while often failing to support the people who are continuing to produce incredible music today and who provide the next generation with style, sounds and slang.
So let’s remember that, as 2012 gets underway, and let’s salute the artists who have been committed to dancehall for years, before any of the current attention was being offered. What are they up to at the moment?
Last year Lady Chann linked up with veteran Glamma Kid for the explosive “Informer,” released at the end of January along with “Equilibrium”, both produced by Sticky. The video just dropped:
With many of his biggest hits being one drop reggae (“Heaven In Her Eyes,” “Longtime,” “Thanks & Praise”), it’s easy to think of Gappy Ranks as a singer rather than a bashment artist. His two latest singles stop you in your tracks though: “Good Fuck” on Ward 21’s incredible “Monkey Barrel” riddim, and “Money Out Deh” on Wundah’s upcoming “Glory” riddim. Not that he doesn’t continue to produce high quality reggae though, as on “Feel Good” with Lea-Anna.
Stylo G takes on Jamaica’s hottest current export with his version of the “Snap Back” riddim, the source of Popcaan’s huge hit “Clean.” It’s called “Juggling” but it’s not about running tunes.
Mr Williamz is keeping as busy as ever, going international in his collaborations: “Musically Mad” with Mungo’s Hi Fi out of Scotland and “We Can’t Give Up” with Gambia’s Mandinka Warrior. Williamz’s stance, skanks and swagger in this video are as impeccable as his foundation flow:
Londoner Fresharda just dropped an EP available as a free download from Deja Vu FM. The standout track is “Cycle,” a conscious one drop featuring Fresharda’s distinctive voice and a memorable hook that is reluctant to leave your head. And superproducer Curtis Lynch takes us back to the 80s with his retro lovers’ rock riddim “Ohh Baby” with vocals from Maxi Priest, Shola Ama, Lea-Anna and more.
We leave you this month looking backwards: catch a glimpse of the DVD documenting an incredible live show last summer that drew together many of the artists featured here over the past 12 months: Wiley, General Levy, Glamma Kid, Skibadee, Stush, Stylo G, Lady Chann, YT, Mr Williamz, Riko Dan, Serocee and more. As well as electric footage from the stageshow, the film has in-depth interviews fleshing out the history of UK dancehall and its role in the rave scene, making for the complete Cockney & Yardie experience!
Actually wait, let’s look forwards as well and make a prediction: 2012 is the year that UK bashment goes global.
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Wrap-ups with this year's biggest dancehall hits, plus a time machine back to the '90s.
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